Comparing Richard Wrights Native Son and Black Boy :: comparison compare contrast essays

Critiques on Native Son and Black Boy larger has no discernible relationship to himself, to his own life, to his own people, nor to any, other people- in this respect, perhaps, he is most American- and his string comes not from his significance as a social (or anti-social) unit, but from his significance as the incarnation of a myth. It is uncommon that, though we follow him step by step from the tenement path to the death cell, we know as footling about him when this journey is terminate as we did when it began and, what is even more remarkable, we know almost as little about the social dynamic which we atomic number 18 to believe created him. -James Baldwin, "Many, Thousands Gone," reprinted in 20th Century Interpretations of Native Son, 1972   Native Son, though preserving some of the devices of the naturalistic novel, deviates astutely from its characteristic tone a tone Wright could not possibly fork over maintained and which, it may be, no Negro novelist can really mark off for long. Native Son is a work of assault rather than separation the author yields himself in part to a vision of nightmare. Biggers cowering perception of the mankind becomes the most vivid and authentic component of the guard. Naturalism pushed to an extreme turns here(predicate) into something other than itself, a kind of expressionist outburst, no longer a replica of the familiar social human but a complete realm of grotesque emblems. -Irving Howe, "Black Boys and Native Sons," reprinted in Twentieth-Century Interpretations of Native Son, 1972 - Throughout, the sensible description that Wright rushes by us makes us feel the emotional force of the objects but not see them with any real accuracy we are aware of the furnace and storm as poles of the imagination- fire and ice- in a world of symbolic presences. Continually the world is transformed into a kind of monolithic skull, and the people are figments of that skulls imagination. -Dan McCall, The Example of Richard Wright, 1969 - ON MAXS SPEECH But sludge represents the type of so-called legal defense which the Communist Party and the I.L.D. control been fighting, dating from Scottsboro. Some of his speech is mystical, unconvincing, and expresses the point of view held not by the Communists but by those reformist betrayers who are being displaced by the Communists. He accepts the idea that Negroes have a criminal psychology as the book