Death of Socrates , pictureIn my essay I go out dismember the diachronic understand The Death of Socrates (Oil on Canvas , 51 kh771 /4 1787 , Metropolitan Museum of Art , painted by neo-classicist Jacques-Louis David . David s contentious delineation depicts the last moments of life of the slap-upest Athenian philosopher - Socrates . The g all overning of capital of Greece condemned Socrates for close or for exile for being an agnostic and for his teaching method methods which awoke skeptical thinking and criticism in his disciples . Socrates accepted finale from drinking poison and heroically spurned exile . In particular , Jacques-Louis David depicted the scene where the great philosopher , surrounded by his friends , is sitting on the couch and stretchability the cup of poison parsley and is pronouncing his final wo rdsThe controversy of the characterisation lays in the opposition of death and life , pigheadedness and the claim of being emotionally overwhelmed , pestiferous and frank , true and persecute . The main idea of the picture - the victory of mind over death - is brightly uttered with the help of the setting dispersion of light and dark . In this work I shall sieve to contemplate the different reasons for why Socrates chose to accept a penalty of death rather than set about to use the opportunities prone him to avoid the death penalty . Among the intimately probable explanations ethical motive and martyrdom allow for be taken into consideration . as well as my analysis of the picture will make water the following characters : Socrates himself , the characters of philosopher s friends and disciples , the wife of Socrates In addition , I will set the historical background for my analysis and provide it with the indispensable proofs and quotations from the reliable sour cesThe author of the painting The Death of ! Socrates , Jacques-Louis David , was born on August 30 , 1748 in a wealthy family of a Parisian merchant . He received his first teaching at a boarding school the Collige des Quatre Nations in his native city .

Then David became a student of a famous professor Joseph-Marie Vien (1716-1809 , who had a reputation of a considerably teacher and produced a great impact on the data of a young artificer . From 1766 to 1774 Jacques-Louis David studied art in Vein s class at the Royal Academy of delineation and Sculpture . In his paintings David created a new cult of the obliging virtues - his main characters serve as perfect mo dels of stoical self-control , austerity , devotion to duty and honesty . Thus the artisan attempted to pass his revolutionary ideas through his works and afterward he became known as the painter of revolution . alike the modern critics of art noted that David s paintings of `martyrs of the Revolution were devised as portraits , scavenge , raised portraiture into the domain of the universal tragedyAt those days the to the highest degree influential and prevalent movement in painting and many other arts was Neoclassicism (early works in the 1960s with its blossoming menstruation in the 1780s and 90s , and lasted till 1840s and 50s . Entailed by the revolution and enlightenment epoch , the Neoclassical period presents a distinguishing artistic edit . Jacques Louis David was...If you pauperization to get a full essay, order it on our website:
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